ADORNED
Bird with Braids, 2019
12 3/4″ x 7 3/4″ x 1/2″
Plexiglass
Top Knot (2D), 2006
40 1/2″ x 31 1/4″
black paint on paper
Portrait of a Hairstyle, 2006-2018
26 1/4 ” x 22 1/4″
paint, photocopy and tape on paper
Hairstyles Floating in Space, 2018
31 1/4″ x 22 1/4″
grey and black paint, photocopies, black glitter, surface adhesive
Two Versions, Side by Side, 2006-2018
24 1/4″ x 31 1/4″
black paint, paper flowers
Acrylic Wall Painting, 2019
size variable
acrylic lavender paint
Full Bird, 2019
19 1/2″ x 15 1/2″ x 1/2″
Plexiglass
Butterfly (small black), 2019
19″ x 9 1/4″ x 1/2″
Plexiglass
Butterfly (large clear), 2019
48″ x 22 3/4″ x 1/2″
Plexiglas
Side Butterfly (small black), 2019
21 1/2″ x 10 3/4″ x 1/2″
Plexiglass
Side Butterfly (large clear), 2019
37 1/2″ x 18 1/2 x 1/2″
Plexiglass
Smallest Black Piece, 2019
12 3/4″ x 7 3/4″ x 1/2″
Plexiglass
Top Knot, 2019
31 3/4″ x 21 1/2″ x 1/2″
Plexiglass
Bird Profile, 2019
16 1/4″ x 12 1/2″ x 1/2″
Plexiglass
Thin Clear Profile, 2019
17 1/2″ x 10 3/4″ x 1/2″
Plexiglass
Twins, 2019
11 3/4″ x 22″ x 1/2″
Plexiglass
Grid for hanging, 2019
10′ x 9’
aluminum grid frame
TIME SIGNATURES
Studio image of Inuit Woman, 2005
3 units
largest unit 10′ x 8.6′ x 2″
steel
Woman from Rankin Inlet, Alaska
Installation, Inuit Woman, 2005
3 units
size variable
steel
Lilian on the Floor, 2001-05
size variable
red vulcanized rubber
Lilian’s Face Flowing, 2005
15′ high
black vulcanized rubber
Rosa Parks, 2000
31 5/8″ x 13 1/2″ x 1 1/2″
powder coated steel
Louise Bourgeois, 1999
31 3/4″ x 13″ x 4″
steel, edition of two
Coll. Arlette Amazalag
Stella Painted Reflectively, 2003
18″ x 27″ x 1 1/2″
steel and reflective flip flop paint
Lilian (Floral), 2001
51″ x 32″ x 1 1/2″
steel
Pussy Willow, 2003
21 1/2″ x 24 1/2″ with frame
digitally manipulated photograph
Isak Dinesen with Linda Nochlin wallpaper, 2007
size variable
digitally printed wallpaper
Lilian’s Cheek, 1998
72″ x 38″ x 1 1/2″
steeW
Stella Rolled, 2003
11″ x 16″ x 12″
steel
Nicky’s Neck, 2002-03
21″ x 15″ x 1″
steel, edition of two
Back of my Neck, 2000-06
23″ x 46″ x 1 1/2″
steel and steel table
Lilian, 2000
43″ x 26 1/2″ x 1 1/2″
steel
Standing Smile, Judy maquette, 2003
13″ x 9″ x 6″
water jet cut steel
Portland Museum of Art
Standing Smile, Judy, 2003
64″ x 54″ x 33″
aluminum
Front of My Neck, 2000-06
20 1/2″ x 35″ x 20″
steel and steel table
Around My Mouth, 1999-2006
22 1/4″ x 28 1/2″ x 2 1/2″
powder coated steel
Lucy Lippard, 2003
private collection
8.5”x 11”
dichroic coated plexiglas
Homage to Linda and Lucy, My Luminaries, 1998-2016
installation, size variable
dichroic coated plexiglas
TIME SENSITIVE
Installation, Another year in LA; 2007
Table Ruffle, 1977
4′
brass sheet metal, pipe, gold paint
Linda Nochlin Wallpaper, 2007
size variable
digitally printed wallpaper
Isak Dinesen, 2001
40″ x 18″ x 2″
steel
Lucy Lippard, 2003
private collection
8.5”x 11”
dichroic coated plexiglas
Around my Mouth, 1999-2006
22 1/4″ x 28 1/2″ x 2 1/2″
powder coated aluminum and table
Baby, 1967
24 1/2″ x 12″ x 6″
pigmented cast resin
Standing Smile, Judy maquette, 2003
13″ x 9″ x 6″
water jet cut steel
Portland Museum of Art
FOR BEAUTY'S SAKE
Hair Straightening (Large), 1992
5′ x 9 1/2″ x 9 1/2″
steel, synthetic hair
Hair Straightening (Small), 1992
9 1/4″ x 7 3/8″ x 4″
steel
Collection of Janie Cohen
Leg Shaving, 1992
7 1/4″ x 11 1/4″ 4 1/4″
steel
whereabouts unknown
Waxing, Back, 1996
52 1/2″ x 120″ x 2″
steel
Breast Enhancement, 1994
two units
3 3/4″ x 17 1/4″ x 4 1/4″
7″ x 23 3/4″ x 4 1/4″
steel
Liposuction Buttocks, 1989
two units
1” x 5 3/4’ x 2’
3/4”x 1 3/4’ x 2”
steel
Ear Piercing, 1992
3 7/8″ x 6 1/2″ x 4″
steel, gold plated brass
Under Eye Tuck (Large), 1993
two units
11″ x 13 1/4″ x 8 1/4″
8 1/2″ x 15″ x 3 1/2″
steel, black paint
Under Eye Tuck (Small), 1994
two units
2″ x 2″ x 2″
2 3/4″ x 2” x 2”
Steel
Liposuction Stomach, 1993
two units (same size)
19″ x 12″ x 2 1/2″
steel and brown suede
Cosmetic Bonding Front Teeth, 1992-94
23″ x 13″ x 9″
white wax over steel, steel base
Eyebrow Plucking, 1993
two units
9 1/4″ x 25″ x 3 1/2″
7 1/4″ x 26 3/8″ x 16 1/2″
steel, flocking
Nose Job, 1994
two units (same size)
2 1/2″ x 2 3/4″
bronze
Lip Advancement, 1994
four units
3 1/4″ largest unit, height variable
anodized aluminum
Chin Job, 1994
two units
9″ x 1/2″ x 1 1/2″
steel
Rib Removal Waist (Large), 1997
four units (same size)
3′ x 1/2″ x 21 1/4″
steel and flesh-colored leather
Rib Removal Waist (Small), 1993-94
two units (same size)
7 1/2″ x 5 1/4″ x 2 1/2″
steel and flesh-colored leather
Liposuction Thigh, 1993
two units (same size)
7 1/2″ x 5″ x 2 1/2″
steel and flesh-colored leather
collection Joanne Howard
Maquette for Tweezing, 1992
two units
1 1/2” x 3” in diameter
1 1/2” x 3 1/2” in diameter
pigmented plaster and synthetic hair
Collection Alexandra Anderson
Tweezing (Large), 1992-95
two units (same size)
18″ diameter, one unit 24″ high
cast and colored aluminum, steel, synthetic hair
Skin Peel; Acne (small), 1994
two units (same size)
5 3/4″ x 4″ x 2 1/2″
cast and pigmented rubber
Skin Peel; Acne (large) ,1994
two units (same size)
40 3/4″ x 28″ x 14″
pigmented fiberglass resin
Fingernail Elongation, 1989-91
two units
3 3/4″ x 3 1/2″ x 2 1/2″
8 1/4″ x 3″ x 2 1/2″
red wax, steel
ROCKS N' DROPS
Yves Drops, 2015
32″ x 25 1/2″
paint, paper, stamp
Yves Rocks, 2015
36″ x 15 1/2
paint, paper, stamp
Yves Rocks, 2015
36″ x 27″
paint, paper, stamp
Yves Drops, 2015
20 3/4″ x 23″
paint, paper, stamp
Yves Rocks, 2015
21″ x 20 1/2″
paint, paper, stamp
Yves Drops, 2015
36″ x 30″
paint, paper, stamp
Yves Drops, 2015
23 1/2″ x 31″
paint, paper, stamp
Yves Rocks, 2015
13″ x 12 1/2″
paint, paper, stamp
Yves Rocks, 2015
12″ x 13″
paint, paper, stamp
Yves Rocks, 2015
25″ x 35″
paint, paper, stamp
Yves Rocks, 2015
36″ X 27″
paint, paper, stamp
Yves Rocks with Leigh, 2015
54″ x 36″
paint, paper, stamp
Yves Rocks with Mia and Jake, 2015
35 1/2″ x 24 1/4″
paint, paper, stamp
Yves Drops, 2015
32″ x 25 1/2″
paint, paper, stamp
Vitrine with Rocks and Pebbles, 2015
34″ x 24″ x 4 1/2″
plexiglas, wood, rocks, pebbles, string, paint
DECOYS FOR THE SPIRIT
Decoys for the Spirit, 1986
heights variable, smallest unit 67″
mixed media
Decoys for the Spirit with Bean Poles, 1989
size variable
wood, steel, flocking and paint
Non-Functional Instruments, 1987-91
five units; tallest 66 1/2″
bronze
one unit estate of Rose Weil
A COLLECTION OF OPINIONS
Responsa, 1989
76″ x 12″ x 41″
wood, Vatican art stone
whereabouts unknown
Midrash, 1989
37″ x 66″ x 18 1/4″
wood, plaster
Gineza, 1989
21 3/4″ x 10 1/2″ x 18 1/2″
bronze
Tanakh,1988
54″ x 44″ x 46 1/2″
reinforced plaster and steel
PIPES, POLES + RUFFLES
Harlequin Poles, 1978
heights variable
anodized aluminum, aluminum pipe, auto body paint
Three, 1977
4′ high
conduit, flocking paint, three units
Kresge Art Museum
Pipe with Ruffles, 1976
54″ high
Steel, aluminum and gold paint
The Blushing Bride, 1976-79
33″ high
sheet metal, flocking
Hessel Museum of Art, Bard College
Table Ruffle, 1977
7 3/4″ x 15 1/2″ x 10″
brass sheet metal, conduit and paint
Tripod with Ruffle, 1979-80
4′ x 20″
aluminum pipe and flocking
University of Colorado Art Museum
Two Greys, 1979
9 3/4″ x 8″ x 1 1/2″
auto body paint, sheet metal, flocking
Pipe Without Ruffle, 1979
45 1/2″ x 27″ x 2 1/2″
steel with flocking
Red with Rust, 1978
4 1/2′ x 12″ x 1″
steel, flocking
Coll. Nancy Hellebrand and Casey Blood
Ice Cream Wafer, 1977
27″ x 1 /12″
stainless steel, flocking
Phila. Museum of Art
Meeting Curves, 1979
—
steel, flocking
Indianapolis Museum of Art
Black with Rust, 1979
50 1/4″ x 23″ x 2″
rusted steel, flocking
Small Connection, 1978
46″ x 13″ x 1 1/2″
steel, flocking
Brooklyn Museum of Art
Classic Conduit, 1980
4′ x 1′ x 2 1/2″
conduit, flocking
Door Knob Ruffle, 1979-80
19 1/2″ x 6″ x 2 1/8″
screen printed silk, organza, ribbon, door knob
Door Knob Ruffle, 1979-80
19 1/2″ x 6″ x 2 1/8″
screen printed silk, organza, ribbon and door knob
Door Knob Ruffle, 1979-80
19 1/2″ x 6″ x 2 1/8″
screen printed silk, organza, ribbon and door knob
Door Knob Ruffle, 1979-80
19 1/2″ x 6″ x 2 1/8″
screen printed silk, organza, ribbon and door knob
Door Knob Ruffle, 1979-80
19 1/2″ x 6″ x 2 1/8″
screen printed silk, organza, ribbon and door knob
crated at The Fabric Workshop
Wall Knob, 1980
6″ x 14″
screen printed silk, organza, ribbon and door knob
Fabric Workshop, Phil. PA
Drawing for Harlequin Poles, 1977
6′ x 7′ approx.
pastel, charcoal on paper
Chase Bank
WET NURSE
Blood to Milk, 1996
11″ x 14″
ink and watercolor on paper
The Mirror Test, 1996
11″ x 14″
ink and wash on paper
Good Milk, 1996
11″ x 14″
ink and wash on paper
Good Milk (The Rock Test), 1996
9″ x 12″
ink and wash on paper
The Eye Test, 1996
9″ x 12″
ink on paper
Bad Milk (The Hair Test), 1996
9″ x 12″
ink on paper
More Bad Milk, 1996
9″ x 12″
ink and wash on paper
The Plate Test, 1996
11″ x 14″
ink on paper
The Nail Test, 1996
11″ x 14″
ink and wash on paper
Good Milk (The Sword Test), 1996
11″ x 14″
ink and wash on paper
Good Milk (The Myrrh Test), 1996
9″ x 12″
ink and wash on paper
Gold Scale Test, 2018
9″ x 12″
ink and wash on paper
whereabouts unknown
Portrait Busts:
20th C. Nurse, 1995
3 1/2 ” x 3 1/2″ x 2 1/2″
cast rubber, fabric
Slave Wet Nurse, 1995
3 1/2″ x 4 1/2 x 3 3/4″
cast rubber, fabric
French Wet Nurse, 1995
8″ x 16″ x 2 1/4″
cast rubber, fabric
German Wet Nurse, 1995
2 3/4” x 3 1/2” x 3 1/2″
cast rubber, fabric
Early American Wet Nurse, 1995
2 3/4″ x 3 1/2″ x 3 1/2″
cast rubber, fabric
Milk Fountain (Expressing), 1995
34″ x 10″ x 24″
reinforced plaster
Milk Fountain, small, 1995
7 1/8″ x 4 3/4″ x 4 1/4″
cast wax
BLACK
Turret On Wheels, 1984
108 1/2 x 21 x 26
painted wood, casters
Leftover on Wheels, 1984
60″ x 18″ x 12″
cast aluminum, paint, wood, casters
Octacan, 1985
84″ x 32″ x 12″
wood, styrofoam, paint
Coll. of James Wagman
Reflector, 1985
26 1/8″ x 6 7/8″ x 2 1/8″ (not including base)
mixed media
Coll. of Linda and Ron Daltz
Looking, 1984
48″ x 6 1/2″ x 5 1/4″
painted wood, styrofoam
whereabouts unknown
Olive Oyl, 1984
34″ x 7″ x 1 3/4″
painted cast bronze
Coll. of James Wagman
Line on Legs, 1985
66″ x 12″ x 8 1/2″
wood , styrofoam, paint
whereabouts unknown
Kouros, 1984
88 x 31 1/4 x 11
painted wood, casters
Stance, 1984
95″ x 27″ x 5 3/4″
painted wood, styrofoam
whereabouts unknown
TRIANGLE, ELLIPSE + THE MONSTER
Triangle, Eclipse and the Monster, 1982
three units
9′ x 11′ x 3 1/2′
8′ x 11′ x 4′
8′ 6″ x 10′ x 4′
painted wood lathe and painted wall
MORRISTOWN RED SERIES
Morristown Red Series, 1983
five units
96″ x 27 1/2″ x 3 1/4″
99″ x 22 3/4″ x 3″
84″ x 26 3/4″ x 3 1/4″
96″ x 29″ x 3″
102″ x 7″ x 30″ x 3 1/2″
painted wood
AGGREGATE
Mix, Stir, Pour (White Floor Piece), 1972
installation – size variable
hydrocal
White Floor Piece, detail, 1972
installation – size variable
hydrocal
Pastel Floor Piece, 1972
installation – size variable
pastel colored hydrocal
Advancing Forms, 1974
6 1/2″ x 4 1/2″ x 1″ each unit, size variable
celastic, paint
Dark Huts, 1973
50 units
8″ x 8″ x 6″ each unit
installation – variable
hydrocal, cheese cloth, pigment
Ripple, 1973
size variable
plastic garden edging
We See You , 1978
installation – variable
animated sculpture with audio
flocked aluminum units, electronic mechanisms
Artpark, Lewiston, New York
CHAIRS
Alice Inland, 1966
9′ x 3′ x 4′
painted wood
Giraffe Chair, 1966
8′
painted wood
Criss Cross, 1967
4′ high
painted wood
Baby, 1967
24 1/2″ x 12″ x 6″
pigmented cast resin
Buddha Chair, 1966-67
approximately 6′ x 6′ x 6′
painted wood
Three Small Chairs, 1966
group of 6 chairs
each chair approximately 12″ high
painted wood
Bathing Beauty Chairs, 1966-67
group of 3 chairs
approximately 2′ x 4′ x 12″
painted wood
PREFORMANCE + COLLABORATION
Absolute Cow, 1988
Montpelier, Vermont
Multi-media event conceived of and created by the artist
T.W. Wood Art Gallery at Vermont College Arts Center
Signifying; Kissing, 1976
Performance
Might Oaks Theater Service at The Kitchen, NYC
Signifying; Piling, 1976
Performance
Might Oaks Theater Service at The Kitchen, NYC
Ace, 1976
Performance
Might Oaks Theater Service at The Kitchen, NYC
The Wild Bird Fund Project, 2013
Collaboration
Benefit for Wild Bird Fund
New York and Burlington, Vermont